We hope this will inspire you in your daily use of ioGates: This is why we are so proud to be a part of ESC – but it’s also the reason, why we thought a demonstration of how they use ioGates could have a broader interest. There are also preliminary contests within the countries, semi-finals, and the “grand final.”Īll of which increases the need for an advanced technical solution that lets non-techies and non-producers share and watch production clips.Not to mention all the rehearsal takes, marketing material, and other production files must be shared, reviewed, and approved. Over 1500 songs have been performed, and they equal 72 hours of listening.The contest started back in 1956 with 7 countries.It’s safe to say that the contest and the technical needs have evolved over time – and still are: (Security is vital for us)īut before we jump into the demonstration, a little history lesson, to fathom the scope of ESC. The demonstration was shown during the DPP Media Supply Festival which we are proud members of. So, we made a demonstration showing you how Eurovision Song Contest uses ioGates. We thought that such a huge and diverse group of people might contain some insights you could use when you use ioGates.
MP4/MOV file renaming: Option to sort clips by timecode, creation date or file name before adding a unique number.Eurovision Song Contest (ESC) has used ioGates as the central HUB for all media sharing and receiving between 43 countries, at 7 of the last 8 shows. ExportįCPXML: Export one or multiple bins or folders with synced audio files as events and projects for Final Cut Pro.ĪLE: New options to include ACES look information, to export camera letters lowercased and to leave the “clip names”-column blank. PerformanceĬanon RAW: GPU acceleration for CRM decoding now also available on M1 Macs. Load CLF in LMT: Load Common LUT Format (CLF) files in LMT node for round-tripping in ACES workflows.ĪCES Look Metadata: The metadata fields “ACES Input Transform”, “ACES Input TransformID”, “ACES Output Transform”, “ACES Output TransformID”, “LMT Nodes” and “Reference Gamut Compress” reflects ACES look metadata in the general info and the clips table to make it available in reports. ACES WorkflowĪCES v1.3: Support for ACES version 1.3.0 including Reference Gamut Compress. LUT Interpolation: Choose between different interpolation methods like trilinear and tetrahedral interpolation. Knee Curve Node: Create simple “knee” and “toe” curve adjustments to quickly modify contrast range and limits of highlights and shadows. Look Compatibility: Support for latest Livegrade looks. ShotHub Library Sync: Improved robustness in unreliable network conditions, better error handling and user interface when syncing the clip library with Pomfort ShotHub. Cloud Backup & Syncĭirect S3 Upload: Backup your files in an AWS S3 bucket or other service that implements the S3 API. Silverstack also lets you instantly secure data, preview source material, and create all kinds of reports based on one central metadata library.
#SILVERSTACK EXPORT SCREEN GRAB SOFTWARE#
If you are not familiar with Silverstack, it is software for securely backing up footage and ingesting data in a fast, organized, and transparent way.
#SILVERSTACK EXPORT SCREEN GRAB PRO#
Improvements include Final Cut Pro Export, the ability to register your AWS account in Silverstack Lab and safely backup your files in an S3 bucket or other service that implements the S3 API, as well as ACES workflow enhancements. Pomfort has released Version 8.2 of Silverstack Lab.
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